The Lonely Palette
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Earlier this year, I had a really, really great conversation with Dr. Lara Ayad, host of the podcast The Cheeky Scholar https://thecheekyscholar.buzzsprout.com/ - and I'm proud to share it today. We cast our net really wide, talking at first about the role of artists in society, my favorite museums, but then we got into it. We got . Because Lara and I are both, in the parlance of the moment, free speech bros. And if you’re going to be a good artist, or a good art critic, you can’t be afraid of censorship, and you sure as hell can’t practice it. Lara and I talk everything from Anselm Kiefer to Dr. Seuss, and what we came to realize is this: you have to open your mouth. You have to look at world with open eyes and an open mind. And nothing shuts all those things – mouth, eyes, and mind – more than fear. Fear of offending. Fear of saying the wrong thing even when you’re trying to say the right thing. Or fear that full-on disagreeing will put the whole of your values, your entire moral compass, in question. What will people think of me? Am I still allowed in the club? Am I still a good person? Full disclosure: it’s this fear, and these questions, that made me almost not share this conversation. But that’s nuts. And when you listen, you’ll hear why. Freedom of speech is one of the most foundational tenets we have in a liberal society – and this has always been the case, regardless of who had the cultural power to cancel whom. Support the show by becoming a patron https://www.patreon.com/lonelypalette or by just sending us a tip https://www.paypal.com/paypalme/thelonelypalette. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
It's September, and time to get back to work. That means defending public radio against federal defunding, exploring its core values, and taking an honest look at how we got here. I'm proud to share this conversation between my Hub & Spoke colleague Erica Heilman, host of the exquisite and unflinching Rumble Strip https://www.rumblestripvermont.com/, and her buddy Jay Allison, founder of Transom https://transom.org/, producer of The Moth Radio Hour https://themoth.org/radio-hour, and generally one of the most stalwart producers in the industry, about why public radio matters. Episode webpage. https://www.rumblestripvermont.com/episodes/jay-allison-on-why-public-radio-matters Support the show by becoming a patron https://www.patreon.com/lonelypalette or by just sending us a tip https://www.paypal.com/paypalme/thelonelypalette.
Modern art. Two little words that strike so much fear in the heart of the average museum goer. When you're used to straightforward, legible paintings and sculptures, Modernism can be pretty destabilizing. Pretty weird. Canvases are now spattered with paint, or lined with grids, or barely containing the shapes that seem to want to float away. A car tire is cut apart and reassembled. A giant mobile floats in the air, catching the breeze. And it's natural to ask, well, what does this mean? What is this piece about? How did I just go from Post-Impressionism to Fauvism to Cubism to Futurism, when the subject matter of these paintings all kind of look similarly shattered and rebuilt and hastily glued back together again? How could I ever understand the nuances of this stuff without a graduate degree? But I promise you, you can. Learn more. https://www.nga.gov/stories/articles/plain-sight-you-already-belong-museum?fbclid=IwY2xjawLvHCZleHRuA2FlbQIxMQABHlwWNd16OqUoAdXOulsjiDFpyXvKHpoJjoH9pNSCbTAMRapfbfP14vA6qFL6_aem_sfpV3I_yo_XZlvNgKsBrsQ See the images. https://www.thelonelypalette.com/episodes/inplainsight MUSIC USED: The Blue Dot Session, “Tall Harvey,” “Highway 430,” “Ranch Hand,” “Cornicob,” “The Melt,” “A Common Pause,” “Within the Garden Walls,” “Basketliner”
Museum curators are an intimidating species. Those experts with their degrees. How could they possibly remember what it was like to walk into a museum for the first time and feel overwhelmed by the sheer volume of history on display? How could they imagine what it’s like to be a visitor who doesn’t care about a landscape with cows? After all, we’re not born knowing the stories these paintings tell, or how to seek them out. In the second episode in our series, we’re going to explore how a long look into an artwork can inadvertently engage another sense: hearing. Hearing the stories that a painting can tell. And the curators at the National Gallery are here to help. Help put us in the best possible position to receive these stories; help us listen to what these paintings are saying to us. And how to imagine these stories moving through the centuries, embracing us the way they once embraced them for the first time, and making them want to do what they do. Learn more. https://www.nga.gov/stories/articles/plain-sight-you-already-belong-museum?fbclid=IwY2xjawLvHCZleHRuA2FlbQIxMQABHlwWNd16OqUoAdXOulsjiDFpyXvKHpoJjoH9pNSCbTAMRapfbfP14vA6qFL6_aem_sfpV3I_yo_XZlvNgKsBrsQ See the images. https://www.thelonelypalette.com/episodes/inplainsight MUSIC USED: The Blue Dot Sessions, “Gentle Son,” “Pinky,” “Origami Guitar,” “Arizona Moon,” “Tangeudo,” “The Melt,” “Lina My Queen,” “Brer Rhetta,” “Georgia Overdrive”
In June of 2024, I was honored to be the Storyteller-in-Residence at the National Gallery of Art in Washington, DC. I spent a week in the museum talking to and recording as many people as I could: curators, museum staff, visitors. We talked about what brought them to the museum, and what keeps them there. We talked about what makes the museum experience transcendent, and, bluntly, what can get in the way of that - what stands in the way of connecting with an artwork, what makes them feel like they never learned the secret knock to access this world. After all, in order to make a space inviting, you have to understand why some people can feel left out. In this three-part series, a collaboration between the National Gallery of Art and The Lonely Palette, we’re going to explore the idea of what it means to open yourself up to an art museum, one artwork, or conversation, at a time. And how the tools to do this have been here for you all along, literally in plain sight, just waiting for you. Today, in the first episode of our series, I talked to various museum staff about preconceived notions of art that visitors bring with them to the museum. We discussed how their jobs are to meet visitors where they’re at, and to encourage them to go further. To look longer. Learn more. https://www.nga.gov/inplainsight See the images. https://www.thelonelypalette.com/episodes/inplainsight MUSIC USED: The Blue Dot Sessions, “Brer Rhetta,” “Greylock,” “Alustrat,” Vela Vela,” “Caprese,” “Setting Pace,” “Our Fingers Cold”
Whether arguing for soft versus hard taco shells or the Neo-Nazi right to march in Skokie, freedom of speech is a fundamental right we all enjoy as Americans. But it turns out that telling people that is pretty complicated, actually. Thank goodness we have Norman Rockwell, virtuosic photorealistic painter and America's crown prince of nostalgia, to help us understand our fundamental freedoms from the intimacy of the magazines fanned across the coffee tables inside our homes. See the images. https://www.thelonelypalette.com/episodes/2025/6/4/episode-70-norman-rockwells-freedom-of-speech-1943 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “The Zeppelin,” “Lord Weasel,” “No Smoking,” “Transeless,” “Silver Lanyard,” “Ice Tumbler,” “Sino de Cobre,” “Georgia Overdrive,” “The Consulate” Support the show by becoming a patron https://www.patreon.com/lonelypalette or by just sending us a tip https://www.paypal.com/paypalme/thelonelypalette.
Professor Judith Wechsler is an art historian, filmmaker, writer, researcher, Francophile, and leading expert on Paul Cezanne and Honoré Daumier. She’s the daughter of a major religious philosopher. Her resume reads like a who’s who of 20th century art historians – Meyer Shapiro, Linda Nochlan, Leo Steinberg, Gershom Sholem. Her films tell the story of 20th century Europe, image by image. And she was my advisor. And she’s now a dear friend. Hers is the voice that lingers in my head, reminding me to show my work. Her background in dance and filmmaking speak to someone who, like me, sees art and art history as something that can be understood not just academically, but creatively, and interpreted creatively. You just need to make sure there’s a net below that cliff to catch you. We all have a mentor, and Judith is mine. This conversation is deeply personal. It’s the story of a student, and her teacher, and the questions and answers that craft our journeys. Episode webpage https://www.thelonelypalette.com/interview/2025/4/30/judith-wechsler-art-historian-and-filmmaker MUSIC USED: The Blue Dot Sessions, "A Little Powder," "Basketliner" Support the show by becoming a patron https://www.patreon.com/lonelypalette or by just sending us a tip https://www.paypal.com/paypalme/thelonelypalette.
Shattered porcelain is impossible to repair. As impossible as completely accurately reconstructing the past. But who needs that pressure? What if, instead of tossing those shards in the dustbin of history we acknowledged that the thing will never be what it once was, and appreciate the beauty, and the human resilience, of what new things it could be, now? See the images. https://www.thelonelypalette.com/episodes/2025/2/26/episode-69-yee-sookyungs-translated-vase-2011 MUSIC USED: Billy Joel, “You May Be Right” The Blue Dot Sessions, “Littl Jon,” “The Dustbin,” “BlueGarden,” “Nesting,” “A Rush of Clear Water,” “A Common Pause” Leonard Cohen, “Anthem” Support the show by becoming a patron https://www.patreon.com/lonelypalette or by just sending us a tip https://www.paypal.com/paypalme/thelonelypalette.
The artist and composer Annea Lockwood is not just any musician. She is an artist of sound. She is a composer of art. Her music is performance art, and her art is always, always audio-rich and musical. She sends her microphones into the elements – fire, here, and rivers, in a recent series called Sound Maps, where she captures, among other things, the tonality of the different depths of the water. She loves chanting, tones, drones. She loves what sound does to our body, how we respond to it, how we visualize it. How sound breathes. How we breathe differently around different sounds. And for me, as an art historian who fell in love with sound, I get it. I think I get it. And this is what today’s conversation is about. Annea joined me to talk about what it means to listen with your body, to experience the silence in all the noise, and the noise in the silence. We talk about the value of musical training versus musical instinct. We talk about how rivers sound different from one anothers. And we explore what an artist from New Zealand who gained prominence in the 1960s burning pianos can teach us about the art of sound, and what she can learn from her 85 year old self, today. Episode webpage https://www.thelonelypalette.com/interview/2025/2/27/annea-lockwood-composer-and-artist MUSIC USED: The Blue Dot Sessions, "Brer Rhetta," “A Common Pause,” "Tanguedo" EPISODE SPONSORS: Art of Crime https://podcasts.apple.com/us/podcast/the-art-of-crime/id1645426577 The Seattle Prize https://seattleprize.org/ Visual Arts Passage https://visualartspassage.com/drawing-hive/ Support the show by becoming a patron https://www.patreon.com/lonelypalette or by just sending us a tip https://www.paypal.com/paypalme/thelonelypalette.
There is no way around it. The work of Felix Gonzalez-Torres, a gay, Cuban-American artist who responded to - and died during - the AIDS crisis of the 1980s and 90s, is sad. His work is a memorial, both to a lost generation and to his own partner, Ross. Yet it is through these seemingly banal, industrial, or every day materials, and the powerful metaphor that they represent, that we can best get to the root of what loss can mean. And, maybe, healing as well. See the images. https://www.thelonelypalette.com/episodes/2025/2/10/episode-68-felix-gonzalez-torres-untitled-march-5th-2-1991 MUSIC USED: The Blue Dot Sessions, “A Little Powder,” “Lerennis,” “Taoudella,” “The Melt,” “Rafter” Open Book https://www.openbookmusic.com/bio, “Second Chance https://www.openbookmusic.com/song-samples” EPISODE SPONSORS: Art of Crime https://podcasts.apple.com/us/podcast/the-art-of-crime/id1645426577 The Seattle Prize https://seattleprize.org/ Visual Arts Passage https://visualartspassage.com/drawing-hive/ Smartist App https://smartist.app/ With extra special thanks to Martin Young. Support the show by becoming a patron https://www.patreon.com/lonelypalette or by just sending us a tip https://www.paypal.com/paypalme/thelonelypalette.
Sebastian Smee has been the art critic for the Washington Post since 2018, but has written extensively about art for every publication you can think of, from here to his native Australia, and winning a Pulitzer prize for criticism along the way. Both his prose and his love of the work leaps off the page and into your lap, offering a guiding hand past the velvet rope, not just for his readers, but for himself: he’s a critic who is constantly looking inward, curious about his own responses to artworks, and what it can teach him about teaching us. Sebastian joined me to discuss his latest book, “Paris in Ruins: Love, War, and the Birth of Impressionism https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951,” as well as writers on writing, becoming an expert about a movement on deadline, how looking back at the muddiness of a historical moment can help us understand the muddiness of ours, and what happens when art critics are themselves at a loss for the words to express why they just love this or that painting so darn much. See the images. https://www.thelonelypalette.com/interview/2025/2/6/sebastian-smee-art-critic MUSIC USED: The Blue Dot Sessions, “Town Market,” “Night Light,” “Brass Buttons” EPISODE SPONSOR: The Art of Crime Podcast https://www.artofcrimepodcast.com/ Support the show by becoming a patron https://www.patreon.com/lonelypalette or by just sending us a tip https://www.paypal.com/paypalme/thelonelypalette.
Critics have described the work of consummate scribbler Cy Twombly as at once "barely there" and overly academic, but what about us art civilians? What is it about these half-baked scraps, scratch, and scrawl that speaks to our own creative impulses, our own inner children dying to grab the crayon and crush the tip in an ectatic series of fat, juicy loopdeloops? See the images. https://www.thelonelypalette.com/episodes/2025/1/22/episode-67-cy-twomblys-second-voyage-to-italy-second-version-1962 MUSIC USED: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Inessential,” “Tiny Putty,” “A Burst of Light,” Palms Down,” “Parade Shoes,” “City Limits” EPISODE SPONSOR: __ __ Support the show by becoming a patron https://www.patreon.com/lonelypalette or by just sending us a tip https://www.paypal.com/paypalme/thelonelypalette.
Mark your calendars! The new season of The Lonely Palette drops Thursday, January 23rd! This season, we've got a stellar line-up: Cy Twombly, Lawren Harris, Käthe Kollwitz, and Felix Gonzalez-Torres, to name just a few. We've got interviews with the 's Sebastian Smee, the artist and composer Annea Lockwood, and more. We've got a whole National Gallery residency! So listen and subscribe, rate and review, and fire up your earbuds for another season of looking with your ears. If you support the work we do, consider becoming a patron https://www.patreon.com/lonelypalette, or simply leaving us a tip https://www.paypal.com/paypalme/thelonelypalette.
Tamar is alive! The Lonely Palette is alive! But in the year since we last spoke, she's been elbow-deep in audio projects galore - good for the pocketbook, but bad for independent art history podcast productivity. But your patience will be rewarded! And in the meantime, a few announcements: - Join me and my fellow H&S colleagues at the PRX Podcast Garage in Allson, MA on Wednesday, November 6 for an evening of audio camaraderie. Register here: bit.ly/3Cd05fB https://gate.sc/?url=https%3A%2F%2Fbit.ly%2F3Cd05fB&token=d72120-1-1730493785556 - Explore our Hub & Spoke Expo showcase, starting with the first episode of our very first exclusive Expo series, "The Rabbis Go South." (All episodes now available: bit.ly/3NUhhc8 https://gate.sc/?url=https%3A%2F%2Fbit.ly%2F3NUhhc8&token=1ae11a-1-1730493785556) Imagine 16 American rabbis jailed for acting on their beliefs. The Rabbis Go South is a thrilling seven-part narrative podcast that uncovers a true story of Jewish-Black solidarity in St. Augustine, Florida during the Civil Rights Movement. An inspiring tale of hope for a divided world. The Rabbis Go South was created by documentary filmmakers Amy Geller and Gerald Peary. It’s a presentation of the Hub & Spoke Expo.
In this special episode of The Lonely Palette, I’m sharing the episode I made for the PRX limited-run podcast series "Monumental," which interrogates the state of monuments across the greater U.S. and what their future says about where we are now and where we’re going. This was the concluding episode, exploring how some monuments are larger than life, dwarfing us, making us feel small relative to the grandness of history. But what if a monument was human-scaled? What if it made us aware of our bodies in space? We don’t often think about the design choices that go into making a monument, but more and more, a new generation of artists and designers are reimagining what a monument can look and feel like, and the kinds of stories they can hold. This episode takes us to Montgomery, Alabama to the National Memorial for Peace and Justice, to Shreveport, Louisiana, to the South Side of Chicago, to Navajo Nation in Arizona. It explores how many American monuments to slavery took inspiration from Holocaust memorials in Germany. And it looks at decentralized memorials that are using technology to help bring monuments to the past into the future. See the images: bit.ly/49FR3Ui https://gate.sc/?url=https%3A%2F%2Fbit.ly%2F49FR3Ui&token=3fd3e8-1-1709819760919 Support the show: www.patreon.com/lonelypalette https://gate.sc/?url=http%3A%2F%2Fwww.patreon.com%2Flonelypalette&token=ff82d9-1-1709819760919
The Lonely Palette, as you've heard so often, is an enormously proud founding member of the Hub & Spoke Audio Collective, a group of fiercely independent, story-driven, mind-expanding podcasts. Since 2017, we've supported each other while forging our own paths, prioritizing craft and humane storytelling above all else. Now, if you haven't noticed, media in general, and podcasting in particular, is in a space some may generously call post-apocalyptic. But an incredible silver lining is that the industry is now recognizing how important independence is. We've been here all along, and with your support, we're not going anywhere. Please enjoy a bonus episode of the Hub & Spoke Radio Hour, a tasty sampler of a few of our shows in a dapper audio package. Today's theme is love. As the philosopher Haddaway once asked, what is love? It turns out, love can be anything that stirs the heart: passion, grief, affection, kin. The desire to consume; the poignancy of memory. Here at Hub & Spoke, we want to stretch our arms, and ears, around it all. This episode is hosted by Lori Mortimer and edited by Tamar Avishai. Production assistance from Nick Andersen. Music by Evalyn Parry, The Blue Dot Sessions, and a kiss of Dionne Warwick. Listen to the full episodes: - Rumble Strip, “Forrest Foster Lays Karen to Rest” - Mementos “Cherie’s Letters” - Ministry of Ideas, “Consumed” - The Lonely Palette, “Jean-Honoré Fragonard's The Desired Moment (c. 1770)” You can also share the love by supporting our Valentine’s Day fundraiser: www.hubspokeaudio.org/love https://gate.sc/?url=http%3A%2F%2Fwww.hubspokeaudio.org%2Flove&token=17d99b-1-1707870259413
Music Used: The Blue Dot Sessions, “Lacquer Groove,” “Hardwood Lullaby” Episode Webpage: https://www.thelonelypalette.com/interview/2023/12/20/lucy-lippard-art-writer
See the images: bit.ly/3rOM7vE https://gate.sc/?url=https%3A%2F%2Fbit.ly%2F3rOM7vE&token=23ceb4-1-1697205697259 Music used: The Blue Dot Session, “Skyforager” Rufus Wainwright, “11:11” Support the show: www.patreon.com/lonelypalette https://gate.sc/?url=http%3A%2F%2Fwww.patreon.com%2Flonelypalette&token=758f88-1-1697205697259
www.patreon.com/lonelypalette https://gate.sc/?url=http%3A%2F%2Fwww.patreon.com%2Flonelypalette&token=764df9-1-1696340378957 Music used: Glenn Miller, “Tuxedo Junction” The Blue Dot Sessions, "No Smoking," "Mercurial Vision" Our website: www.thelonelypalette.com https://gate.sc/?url=http%3A%2F%2Fwww.thelonelypalette.com&token=c6365a-1-1696340378957
This is a free edition of The Lonely Palette Reads, a perk that will be going out exclusively to Patreon patrons in the future. To become a patron, go to patreon.com/lonelypalette https://gate.sc/?url=http%3A%2F%2Fpatreon.com%2Flonelypalette&token=145257-1-1694650094616 and sign up at any level of support. Thank you! Got suggestions for other intimidating-until-read-aloud-texts for future episodes of The Lonely Palette Reads? Email the show at tamar@thelonelypalette.com. Music used: Glenn Miller, “Tuxedo Junction” The Blue Dot Sessions, “Belle Anette” Our website: www.thelonelypalette.com https://gate.sc/?url=http%3A%2F%2Fwww.thelonelypalette.com&token=3687fa-1-1694650094616 Support the show: www.patreon.com/lonelypalette https://gate.sc/?url=http%3A%2F%2Fwww.patreon.com%2Flonelypalette&token=bccbba-1-1694650094616
See the images: bit.ly/3LeIwxu https://gate.sc/?url=https%3A%2F%2Fbit.ly%2F3LeIwxu&token=b3c84d-1-1694488632102 Music used: Django Reinhardt, “Django’s Tiger” Joan Baez, “Diamonds and Rust” The Blue Dot Sessions, “TwoPound,” “Coulis Coulis,” “Delmendra,” “No Smoking,” “Belle Anette,” “Rue Severine,” “Ranch Hand,” “Pastel de Nata,” “Khfett” Lady Gaga, “Venus” Episode sponsor: www.artofcrimepodcast.com/ https://gate.sc/?url=https%3A%2F%2Fwww.artofcrimepodcast.com%2F&token=3a2bc2-1-1694488632103 Support the show: www.patreon.com/lonelypalette https://gate.sc/?url=http%3A%2F%2Fwww.patreon.com%2Flonelypalette&token=c6c81e-1-1694488632103
See the images: bit.ly/45wNrSb https://gate.sc/?url=https%3A%2F%2Fbit.ly%2F45wNrSb&token=483f2c-1-1691115679643 Music used: Django Reinhardt, “Django’s Tiger” The Blue Dot Sessions, “Thread Indigo,” “Monder,” “Tall Journey,” “Stephi,” “Morning Glare” Helen Reddy, “I Am Woman” (performed at the Mobilize for Women's Lives Rally in Washington in 1989) Support the show: www.patreon.com/lonelypalette https://gate.sc/?url=http%3A%2F%2Fwww.patreon.com%2Flonelypalette&token=77098e-1-1691115679643 Episode sponsors: Jay Handy Financial Services (for artists!) www.signalpointinvest.com/team/jay-handy/ https://gate.sc/?url=https%3A%2F%2Fwww.signalpointinvest.com%2Fteam%2Fjay-handy%2F&token=3326b7-1-1691115679643 Altenew www.altenew.com https://gate.sc/?url=http%3A%2F%2Fwww.altenew.com&token=5d83b1-1-1691115679643 Discount code: TAMAR10%OFF
See the Images: bit.ly/3PMpK3o https://gate.sc/?url=https%3A%2F%2Fbit.ly%2F3PMpK3o&token=17f8f7-1-1688573055183 Music Used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Slate Tracker,” “Laser Focus,” “The Griffiths,” “Crumbtown,” “Discovery Harbor,” “Leave the TV On,” “Pickers,” “Caraval, “Lady Marie” Support Hub & Spoke's Independence Fundraiser: www.hubspokeaudio.org/july4 https://gate.sc/?url=http%3A%2F%2Fwww.hubspokeaudio.org%2Fjuly4&token=17ce9a-1-1688573055183
See the images: bit.ly/3ChhuAE /bit.ly/3ChhuAE Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Bedroll,” “A Common Pause,” “Palms Down,” “Desmontes,” “Delamine,” “Greylock,” “Angel Tooth,” “Dear Myrtle” Joe Dassin, “Les Champs-Elysees" Episode sponsor: The Art of Colour: The History of Art in 39 Pigments: bit.ly/43Qp1SJ /bit.ly/3ChhuAE Support the show! www.patreon.com/lonelypalette /www.patreon.com/lonelypalette Register for our Hub & Spoke live show in Woodstock, VT on June 15: normanwilliams.org/events/podcasts…istening-event/
Today's episode: "The Museum of Everyday Life" by Rumble Strip The mission of The Museum of Everyday Life is "a heroic, slow-motion cataloguing of the quotidian–a detailed, theatrical expression of gratitude and love for the miniscule and unglamorous experience of daily life in all its forms." The museum's home is in a barn on Route 16 in the Northeast Kingdom. It is Erica Heilman's favorite museum. This is a show featuring the museum's creator, Clare Dolan. This show is co-produced by Erica Heilman and Mark Davis. Episode webpage: https://bit.ly/3oz1CGh Support The Lonely Palette: www.patreon.com/lonelypalette https://gate.sc/?url=http%3A%2F%2Fwww.patreon.com%2Flonelypalette&token=2bfde0-1-1685120656896
Today's episode: "Rekindling Hope" by Out There Carolyn McDonald was struggling — hard. The depression had gotten so bad that she couldn’t see a way forward. Then, one day, she went to the beach. Story and sound design by Willow Belden. Script editing by Corinne Ruff. Special thanks to Lori Mortimer for sound-design feedback. Music includes works from StoryBlocks and Blue Dot Sessions. Episode webpage: https://www.outtherepodcast.com/episodes/rekindlinghope Support The Lonely Palette: www.patreon.com/lonelypalette
Happy 7th birthday, The Lonely Palette! We're ringing in our itch with an quick update on next season, which starts in June, and a recording of our live show at On Air Fest, which was held in Brooklyn this past February. Please enjoy this revamped and refreshed episode of Mary Kelly's "Post-Partum Document," smash that subscribe button, and we'll see you next month. See the episode images: bit.ly/411KA0F https://gate.sc/?url=https%3A%2F%2Fbit.ly%2F411KA0F&token=3c6061-1-1683212224984 Support the show: www.patreon.com/lonelypalette https://gate.sc/?url=http%3A%2F%2Fwww.patreon.com%2Flonelypalette&token=487ba4-1-1683212224984
See the images: www.thelonelypalette.com/episodes/201…-restoration https://gate.sc/?url=http%3A%2F%2Fwww.thelonelypalette.com%2Fepisodes%2F2019%2F1%2F25%2Fepisode-36-behold-the-monkey-the-ecce-homo-restoration&token=9349ff-1-1673582279928 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Sylvestor”, “Mute Steps”, “Mr. Graves”, “Lobo Lobo”, “Lumber Down”, “Cloudy Cider” Tracie Potochnik, “Cecilia and the Saints” Support the show! www.patreon.com/lonelypalette https://gate.sc/?url=http%3A%2F%2Fwww.patreon.com%2Flonelypalette&token=676e3d-1-1673582279928
See the images: www.thelonelypalette.com/episodes/201…g-poker-1903 https://gate.sc/?url=http%3A%2F%2Fwww.thelonelypalette.com%2Fepisodes%2F201%E2%80%A6g-poker-1903&token=b45eb1-1-1673026711381 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Rose Ornamental," "Flattered," "Arizona Moon," "Laser Focus," "Alchemical," "Two in the Back," "Maisie Dreamer," "Gullwing Sailor," "Maldoc" Joe Dassin, “Les Champs-Elysees" Support the show! www.patreon.com/lonelypalette https://gate.sc/?url=http%3A%2F%2Fwww.patreon.com%2Flonelypalette&token=ca6838-1-1673026711381
Episode webpage: bit.ly/3jtcOBl https://gate.sc/?url=https%3A%2F%2Fbit.ly%2F3jtcOBl&token=e8ad88-1-1672431908508 Music used: The Blue Dot Sessions, “Swapping Tubes” The Kinks, “Dedicated Follower of Fashion” Support our year-end fundraiser! bit.ly/3An5jSd https://gate.sc/?url=http%3A%2F%2Fbit.ly%2F3An5jSd&token=d2d4e5-1-1672431908508
