“Whenever inbreath and out breath fuse, at this instant touch the energyless energy-filled center.”
When considering the pause between the breath, it is almost automatic to approach it from the outside in— meaning, to watch your breath and feel for the pause to occur. This, we are told, was the practice given in Dharana 2, which taught us to watch the breath ‘turn, turn turn’. As Swami Lakshmanjoo begins his translation of Dharana 3, though, “now, [we are entering] a more subtle process”.
The subtle teaching at the heart of this Dharana is that we can experience the pause between our breaths more fully through the internal gaze of the Shambhavi Mudra, described in the commentary as Bhairavi Mudra. The Shambhavi Mudra is the practice of keeping the senses open but bringing your awareness inside to the heart, as you continue to experience your life. This is an advanced practice because it asks you to hold your awareness inside with no external object per se, such as a mantra or pranayama. It is simply, and not so simply, the practice of keeping your attention “inside” while you live your life “outside”. This practice, we are taught in this Dharana, will naturally draw the pause between the breaths to us. In fact, the deeper inside we go inside, the bigger the experience of the pause between the breaths will become for us.
The experience of this pause gives rise to spiritual energy described in the Dharana as “Nirvikalpakataya”, which refers specifically to the energy of the central vein, the Shushumna. The Dharana continues that when this practice is truly accomplished, “the energy of breath neither goes out nor enters in (na vrajet na viśet)”, meaning that the inbreath and out breath pause momentarily of their own accord. And here, in this space between the breaths, “one becomes one with Bhairava,” as Lakshmanjoo translates, “Bhairavarüpatà”.
When the inbreath and out breath “fuse”, as Paul Reps teaches it, we have fused inner and outer realities, the essence of the Shambhavi Mudra. Which is perhaps why Reps describes the experience as an “energyless, energy-filled, center”— when inside and outside merge, empty and full become interchangeable terms— all that’s left is energy. Which brings us back to the illumination of the central channel at the heart of this Dharana, Nirvikalpakataya, which as Swami Lakshmanjoo comments, “is already illuminated”. So we aren’t filling ourselves with light, we are unveiling the light that’s already there.
As we sit with this Dharana, we don’t start at the top, we work our way there. We can begin by focusing on establishing a natural breath flow, smoothing out the breath and using our mantra, like we did in Dharana 2. Once this is established, we can open the eyes softly, and start to use less and less effort to guide our breath, approaching Dharana 3. This opens the door to a deeper dive into the Shambhavi Mudra, as we start to witness our senses, and exert less and less effort towards them with each breath. We can explore the depths of this Dharana as we explore our capacity for the Shambhavi Mudra. As our attention truly does sink inside, while our awareness on the breath and senses remain open, what happens to the space between the breaths? Does it come to you? Does it expand? Is it easier to feel— how would you describe that ease?
