Hello! Welcome to another edition of the exclusive audio commentary podcast hosted by me, David Hughes.

On this episode, we take a deep dive into Martin Scorsese’s 1991 remake of J. Lee Thompson’s 1962 thriller Cape Fear, itself based on John D. MacDonald’s 1957 novel The Executioners, in which lawyer Sam Bowden and his family are terrorised by Max Cady, a violent rapist whom Sam testified against in a trial that helped put him in prison for more than a decade. In crafting his own exceptional take on the source materials, screenwriter Wesley Strick twists the knife still further, by making Sam Bowden the lawyer who defended Cady, rather than merely testifying against him, burying testimony that could potentially have exonerated Cady, despite his guilt. In addition, Strick added marital infidelity into the mix, muddying the moral and ethical waters of the story and enhancing the female roles of Sam’s wife and daughter, played here by Academy Award® winner Jessica Lange and newcomer Juliette Lewis, as well as adding a brand new character, Lori, played by Scorsese’s then girlfriend Illeana Douglas.

Leading the cast are Nick Nolte as Sam and Robert De Niro as Max Cady, while three members of Thompson’s cast – Gregory Peck, Robert Mitchum and Martin Balsam – make cameo appearances, Elmer Bernstein retools Bernard Herrmann’s original score for the new production, and the whole thing is shot by veteran British cinematographer Freddie Francis. Even on paper, it’s quite a heady mix.

Everything in Scorsese’s remake, originally intended to be directed by Steven Spielberg, is turned up to 11, but although many assume that this was Scorsese’s influence, much of what we see in the film was present in Strick’s very first draft, and I’ve always been fascinated by the evolution of the story from its relatively straightforward dual source material as straight thriller to grand guignol monster movie, so I was thrilled when Wes kindly agreed to join me for his first full audio commentary for the 1991 film, now that, as he points out, more time has passed since his version was released than the 29 years that passed between the original and remake.

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A Synchronicity production. Conceived, written and presented by David Hughes. Produced by Sam Ibrahim. Music by Olli Oja.

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