Maltin on Movies
About
Available on
Community
437 episodes
Our guest is a five-time Oscar nominee for Best Costumes—most recently for although she is equally lauded for her work on , parts 1 and 2. Her background in the fashion world, and as an art history major, gives her unique credentials for someone who provides costumes for movies. She also has world-class stories to share about her collaborations with such major directors as Philip Kaufman, Terence Malick, and David Fincher. Leonard and Jessie had a blast mining that treasure chest of memories and observations. The making of could fill a one-hour podcast all by itself!
Internationally renowned actress, model, and individualist Isabella Rossellini is charm personified. She has a supporting role in Alice Rohrwacher’s new import which opens in theaters March 29, and recently completed two seasons of , playing Julia Child’s longtime friend and cooking colleague. She also carries with her the torch lit by her famous parents, Ingrid Bergman and Roberto Rossellini and does so with grace and ease. Leonard and Jessie only had a half-hour with her but were happy to have had the opportunity.
His alter egos are world-renowned, but Leonard and Jessie didn’t focus on Miss Piggy or Yoda in this conversation, recorded in front of a live audience at Esther’s Follies in Austin. The main topic was directing movies, which Oz has done so well for so many years: and are just a few of his credits. What is the through-line, if any, from puppetry to filmmaking? Listen and hear what the amazing Oz has to say.
In honor of the Academy Awards, we’re revisiting our 2017 interview with Keith Carradine, who won his Oscar for writing and performing the song “I’m Easy” in Robert Altman’s masterpiece (1975). Since we spoke, the actor has remained a familiar face on television as he and his siblings carry on the acting tradition that began with his prolific papa John Carradine. Like his dad, he eased into the niche of a “working actor,” starring on Broadway, logging 105 episodes of —as the President of the United States—and even turning up in Jane Campion’s Oscar-winning . He’s a laid-back charmer who makes what he does easy.
* * Originally published Jun 10, 2021 * * * From and to such movies as and , writer-director-producer James L. Brooks has created quality entertainment for decades and has no intention of slowing down. He has served as mentor to the likes of Cameron Crowe and Wes Anderson and continues to work with young talents behind the camera. Oh yes—he’s also produced for the past 30 years. Leonard and Jessie were honored to talk to this multi-award-winning talent about his remarkable career.
Cord Jefferson is riding high as the Oscar-nominated writer and director of , which has widely and properly been acclaimed as one of the best films of the past year. Even more exciting is the fact that Jefferson has never made a movie before. Leonard and Jessie enjoyed exploring the building blocks of his career that led to this achievement. He was on the writing staff of Larry Wilmore’s Late Night comedy show and Aziz Ansari’s , among others, when a series of events pointed him toward filmmaking. Step One was finding a property he cared enough about to adapt and then direct. Unlike other neophytes who get their first break right out of film school, Cord had traveled the world and worked as a journalist before he ever stepped foot on a movie set. We are eager to see what comes next.
As editor of , Nick de Semlyen presides over the best film and television magazine in the English language: . Every issue is jam-packed with deep-dive articles, interviews, set visits, and fun facts for both the fan and the aficionado. Nick has also written two excellent books examining American films of the 1980s: and Leonard and Jessie got to meet him on their last trip to London which cemented a friendship that grew out of their admiration for his work. This episode affirms the belief that the only thing better than watching movies is talking about them with a fellow enthusiast.
The senior film critic for the , Justin Chang is also a graduate of USC and took Leonard’s class—three times. Leonard takes no credit for Justin’s brilliance as an essayist or as a world-class punster. Jessie has known him her whole life and is also an unabashed fan. Just back from the Sundance Film Festival, Justin made time for us to talk about his career and some of the nuts and bolts of being a daily newspaper’s leading critic.
Our guest this week is now appearing on movie theater screens in , recreating the role of Sofia that she originated in the Broadway revival. But as you’ll hear, that is just her latest achievement in an ever-growing body of work on stage, screen and television. Fans of knew her as Taystee, and followers of the recent series could see yet another facet of her boundless talent. A graduate of Juilliard, she is riding high during this awards season but Leonard and Jessie agree that we’ll be watching her in every medium imaginable for years to come.
Sam Wasson has become one of the finest Hollywood historians of our time, and also one of the most productive. His newest book, The Path to Paradise: A Francis Ford Coppola Story is not a conventional biography but an insightful analysis of the formidable filmmaker. It joins Sam’s earlier books on Blake Edwards, Paul Mazursky, and the making of Breakfast at Tiffany’s and Chinatown as essential reading. He also coauthored with Jeanine Basinger a hefty new volume called Hollywood: the Oral History. He and Leonard maintain a mutual admiration society and Jessie is its newest recruit.
Any film that includes Patricia Clarkson in its cast has the cinematic equivalent of the Good Housekeeping Seal of Approval. She is that good, that committed, that versatile. Her credits run the gamut from well-loved indies like Lars and the Real Girl, The Station Agent and Dogville to mainstream hits like The Untouchables and TV series, including Six Feet Under, which earned her two Emmy Awards. Her latest release is Monica, about a transgender woman coming to terms with her dying mother. Leonard and Jessie had a ball talking with an actress who loves what she does and has an unquenchable zest for life.
Oscar-winning actress, mother, championship archer, film festival director, memoirist, founder of the Geena Davis Institute on Gender in Media…Geena Davis has many hats but wears them lightly. The star of such enduring films as and is a cut-up at heart, as Leonard and Jessie quickly learned. It’s easy to see how she has accomplished so much, especially in the area of female representation in media. She’s smart and talented but also endearing…and happy to talk about the people she’s worked with (from Penny Marshall to Tim Burton) as well as her history as a creator of whimsical inventions.
David Keith has been out of the spotlight in recent years but when he hit it big in he became a hot property. Many movies followed, including (in which he played Elvis Presley), and , to name just a few. He’s kept busy doing episodic television and directing a handful of genre films. Now he’s working as a creative executive producer, and in his new horror-thriller (available on VOD beginning December 12) he’s given himself a good part as a judge. He sat on his front porch in Knoxville, Tennessee and reminisced with Leonard and Jessie for a cozy, comfortable conversation.
A lifetime of acting, mostly on stage, finally paid off for Paul Raci when he earned an Oscar nomination for a part he was born to play in It has changed the trajectory of his career, and he is happy to talk about working with Nicolas Cage, Jennifer Lopez, and Colman Domingo on recent projects. But what Leonard and Jessie took away from our conversation is Paul’s admirable work ethic and total dedication to his craft.
If you weren’t among the seven million people watching Melvin Gregg’s 7-second Vine videos online you may know him from such films and TV shows as and the brand-new feature alongside Bradley Whitford and Alice Braga, now available on VOD. His acting ambitions brought him to Hollywood but unlike other young, struggling thespians, he devised a game plan to get him in the door with A-list filmmakers. Leonard and Jessie advise you to keep an eye on Melvin: he’s going places.
Tony Anselmo’s face may not be familiar, but the whole world knows his voice—that is, when he speaks as his alter ego, Donald Duck! Tony inherited this unique job from its creator, Clarence Nash, and he feels very protective of the famously furious mallard. He is also a graduate of Cal Arts and has been an animator at the Walt Disney studio since 1980. Leonard and Jessie are longtime fans and friends, as they share a love of all things Disney.
Elizabeth Daley has served as the Dean of the USC School for Cinematic Arts for 30 years, which means she’s been Leonard’s boss for 25 of those years. Leonard and Jessie realized that they’d never sat and just talked to her for an hour—until now. Elizabeth studied theater and migrated to television early in her career, then answered the call from academia for what she thought would be a temporary assignment. Now she consults worldwide based on her vast experience dealing with students, teachers, and such alumni as George Lucas, who laid the foundation (literally) to rebuild the school in downtown Los Angeles. You’ll hear other names appropriately dropped, from Hitchcock to Zemeckis in the course of this wide-ranging conversation.
Just in time for Halloween, we reconnected with director and film aficionado John Landis for a wide-ranging, clearly spontaneous conversation about horror films past and present. John’s Halloween bona fides: he directed , the underappreciated , and , about which Jessie was particularly curious. Leonard is always impressed with John’s vast knowledge of film history, especially in the horror/sci-fi/fantasy genres. Jessie’s nearly two-year-old daughter Daisy make a cameo appearance near the end of this episode.
The actor you know and love from the Evil Dead movies was an animated guest when Leonard and Jessie spoke to him in front of a lively audience at Fantastic Fest in Austin, Texas back in 2016.
Having just wrapped Fantastic Fest 2023, Leonard and Jessie are thinking about past experiences at this unique gathering in Austin, Texas. Step back six years to enjoy an episode recorded at the Alamo Drafthouse Lamar’s lively Highball Lounge with the late, great comedian Gilbert Gottfried. He was one of a kind, and so is this raucous hour-long interview.
Writer-director Greg Nava made his reputation with the unforgettable 1983 film , and then gave the world an exceptional musical biopic, He is happy to recount the stories behind those memorable films for Leonard, who witnessed breakout screening at the Telluride Film Festival, and Jessie, who has committed to memory. This long-overdue conversation follows a happy reunion at this year’s Telluride fest.
Harold Lloyd dangling from the hands of a clock on the side of a building is arguably the most famous single image from the silent-film era. The movie in which that scene appears, , was made in 1923 and is being screened Sunday at 2pm at the Academy Museum, with a 27-piece orchestra playing the late Carl Davis’s original score. Leonard and Jessie are delighted to welcome back Suzanne Lloyd, who was raised by her grandfather and grandmother, and her longtime friend Rich Correll, who as a teenager began the process of preserving Harold Lloyd’s film collection. We owe them both a debt of thanks for keeping these movies safe for current and future generations to enjoy.
Gifted and versatile are two adjectives that describe the women responsible for creating costumes for Netflix’s (Marylin Fitoussi, who spoke to us from Paris), (Lyn Paolo and Laura Frecon) and the esteemed Colleen Atwood (), who with this show continues her long partnership with filmmaker Tim Burton.
Several contributors to the Netflix series discuss their collaboration: prosthetic makeup designers Sean Sansom and Mike Hill, production designer Tamara Deverell, and cinematographer Anastas Michos.
Two talented women talk about working on the long-running Netflix series : costume designer Amy Roberts and hair and makeup specialist Cate Hall. How does the challenge of replicating well-known figures from recent history affect their approach? Listen and find out.
Today we talk to some of the talented people who worked on the Netflix series Beef: costume designer Helen Huang, casting directors Charlene Lee and Claire Koonce, and editors Laura Zempel and Nat Fuller. You don’t have to be familiar with the show to enjoy hearing them describe their work and the passion they bring to each new project.
Alan Silvestri’s credits as a film composer are a bit overwhelming: and on and on. He has just hatched his first Broadway show, a musical version of that will soon open in London as well. And when John Williams was unable to compose the music for Steven Spielberg’s , Alan was the one chosen to fill his shoes. (It’s a great story…) Leonard and Jessie knew this would be an exceptional interview because Alan and Leonard share a history: they graduated from high school in the same class!
He acted in George Lucas’ first student film. He directed for Disney theme parks in 70mm 3-D. He made a virtual reality television series. He studied at USC with actress Nina Foch and “total filmmaker” Jerry Lewis. But as long as he lives, Randal Kleiser will be best known as the guy who directed He has a new book called , based on his close encounters with notable colleagues, and has completed a documentary about his high school graduating class called As Leonard and Jessie learned, Randal lives in the present, looking toward the future.
His name may be most closely associated with Laugh-In, the television comedy phenom of the late 1960s/early 70s, but George Schlatter has spent a lifetime in show business, with countless credentials and friendships to show for it At the age of 94 he’s Still Laughing—which is the name of his newly published autobiography. He kept Leonard and Jessie laughing as he spun tales of working with Judy Garland, Frank Sinatra, and the stars he launched on Laugh-In like Goldie Hawn and Lily Tomlin. The stories never stop…
As president of Duplass Brothers Productions, Mel Eslyn has her finger in a number of creative pies. (She’s an executive producer of the underappreciated HBO series ). The new theatrical release bears her stamp as co-writer and director; she even got to direct her “boss,” Mark Duplass, who costars in this provocative comedy with Sterling K. Brown. Leonard and Jessie admire the way Mel and her colleagues work: offering opportunities and a helping hand to deserving beginners.
