The Run-Through with Vogue
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Since landing the role of Carolyn Bessette Kennedy in the new FX series https://www.vogue.com/article/sarah-pidgeon-on-becoming-carolyn-bessette-kennedy-love-story, actress Sarah Pidgeon has had to undergo a full transformation. Not only did she dye her dark brown hair blonde (which she says is here to stay, at least for now!), but she also worked with a movement coach to nail down CBK’s mannerisms. “I was really focused on my eyes and I was thinking about taking all this information from these books and interviews that I had sort of gathered,” Pidgeon told Chloe Wednesday afternoon in Vogue’s podcast studio. With less than a minute of recorded video of Carolyn to work off of, Sarah found that listening to Elizabeth Beller’s book Once Upon A Time on repeat was the best way to prepare. Beyond her transformation, Sarah discussed her strategy for red carpet dressing, telling the story behind her feather dress and pant look she work to the show’s premiere. And she dives into all of the clothes she actually was able to steal from set! Earlier in the show, Chioma tells Choe how the Gisele Pelicot digital cover story https://www.vogue.co.uk/article/gisele-pelicot-british-vogue-interview came to be. She also runs through her London Fashion Week schedule https://www.vogue.com/article/london-fashion-week-cheat-sheet-fall-winter-2026 (with Tolu Coker and Chopova Lowena as two highlights) and Chloe discusses how she came up with her new newsletter Malle Wear https://www.vogue.com/newsletter/daily. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
Rachel Scott, the founder of Diotima and the Creative Director of Proenza Schouler, put on two major shows in five days at New York Fashion Week. Her debut at Proenza Schouler was among the most anticipated shows of the week, with fellow designers like Maria Cornejo and Raul Lopez of Luar supporting from the front row. “There was a lot of my soul that I poured out in one week,” Scott told Nicole Phelps. “I'd say it's the hardest thing I've ever done.” At her Diotima show on Sunday, Scott collaborated with the estate of Wilfredo Lam, the late Cuban artist and current subject of a Museum of Modern Art retrospective. Scott has long admired Lam, and she found inspiration not only in the aesthetic beauty of his canvases but also the strong anti-imperialist statements in his work. Scott felt compelled to make her own political statement this season, given the many crises here in the U.S. and the world. “ICE out, number one,” she said. “We need to really think about what borders are. It's a statement against the repressive forces of colonialism and imperialism.” She also shared stories from her childhood growing up in Jamaica, her early fashion memories and career trajectory, and her favorite memories from her internship at Vogue. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
On Sunday afternoon—just hours before the Super Bowl and Bad Bunny’s electrifying performance— VOGUE’S BOOK CLUB MEMBERS GATHERED AT THE SVA THEATRE IN CHELSEA FOR A SPECIAL PREVIEW OF https://www.vogue.com/slideshow/vogue-book-club-wuthering-heights-screening-emerald-fennell. The screening was followed by an insightful conversation for between director Emerald Fennell and Chloe, in which they compared Emily Brontë’s gothic novel with Fennell’s film adaptation. Drawing on literary scholarship and her own childhood memories of the book, Fennell explained why she chose to lean into its sadomasochistic undercurrents. “There’s a quote from Daphne du Maurier in which she describes as a kind of sexless book. But I’ve never experienced it that way. That’s part of the novel’s magic—everyone who reads it takes away something slightly different. For me, the sexual power dynamics are extremely explicit.” Fennell’s version makes several notable departures from the classic text. Isabella Linton emerges as a more dynamic character (Fennell joked that she’s “more of an Isabella than a Cathy”), and the adaptation omits both Nelly’s first-person narration and the novel’s second half (William Wyler did it first!). Perhaps the most memorable addition, however, is the inclusion of crushed eggs beneath bed sheets – an “inside joke” between lovers Heathcliff and Cathy. Fennell revealed that she volunteered to sit on them herself during filming. “Somebody has to do it, and I don’t want my crew to have to sit on a bunch of eggs, so I’m like, I’ll do it,” she said. Earlier in the episode, Chloe and Chioma catch up on their two iconic covers released this week: POWERHOUSE POP STAR ROSALÍA https://www.vogue.com/article/rosalia-spring-cover-2026-interview (Chloe’s first print issue for ) and BHAVITHA MANDAVA https://www.vogue.co.uk/article/bhavitha-mandava-british-vogue-interview, the newest model taking over the fashion industry. Chloe also previews the NYFW schedule, highlighting RACHEL SCOTT’S PROENZA SCHOULER SHOW https://www.vogue.com/fashion-shows/fall-2026-ready-to-wear/proenza-schouler as one to watch, while Chioma recounts her morning, which included breakfast with Jill Biden. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
If the 2026 OLYMPICS https://www.vogue.com/article/everything-you-need-to-know-2026-winter-olympics has a breakout star from the winter games, America’s own Ilia Malinin would certainly be among them. The 21-year-old figure skater—who has earned the nickname “Quad God,” for being the only athlete to ever land a quadruple axel during competition—has been having quite the week to celebrate: On Sunday, Malinin helped Team USA SECURE A GOLD MEDAL https://www.nytimes.com/2026/02/09/world/olympics/ilia-malinin-ice-skating-winter-olympics.html on Sunday, while he also earned EARNED THE TOP SPOT https://www.nytimes.com/athletic/live-blogs/winter-olympics-2026-milano-cortina-live-updates-day-four-schedule-events-scores-results/jk6wv0H7wzyr/ in the men's singles short program last night. Malinin—who has been a rising star in the skating world, and started hitting the ice around six-years-old—is the prodigy child of Olympic figure skaters Tatiana Malinina and Roman Skorniakov. This Olympics, he has been capturing the hearts of sports spectators around the globe, thanks to his distinctive music choices, glitzy wardrobe, and impressive backflips. For new longtime fans of the pro, you are in even more luck: Shortly before heading to Milan earlier this month, Malinin stopped by for a special bonus episode. On the docket of our conversation? Malinin shared a close glimpse into what exactly goes into training for a spectacle like the Olympics. “I just think about how I want to perform my best,” Malinin told co-hosts Christian Allaire and Arden Fanning Andrews. “I try not to give myself unnecessary pressure—I take it as I would prepare for any other competition.” Even so, the athlete did share a sneak peek into what goes into his Olympian wellness routine: He abstain from caffeine when training, but always allow himself to partake in a cheeky pre-skate chocolate bar. (Hershey’s, in case you are wondering.) Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
Rosalía’s star has been on the rise over the past few years, and WITH HER FOURTH STUDIO ALBUM, LUX, https://www.vogue.com/article/rosalia-lux-era-fashion which has been widely acclaimed with features from music giant Björk and accompanied by The London Symphony Orchestra (plus lyrics in 13 different languages!), she’s become a force within the music industry. Now, embarking on her tour for the album and even making an appearance in the hit TV show, Euphoria, Rosalía is also gracing the cover of Vogue’s Spring issue (her first solo US Vogue cover) – maybe equally as important – she is the first print cover star in the “Chloe Malle era”. For today’s episode of The Run-Through, Chloe tells Chioma all about how her first print issue was made. You’ll hear from some of the people who made the issue come to life, like Vogue’s new contributing style director, Carlos Nazario, and Vogue’s Fashion Market Director, Naomi Elizee. You’ll also hear how the team was able to obtain the amazing Dior couture dress before it hit the runway, why shooting on the beach isn’t a simple feat, and why the mule Twinkie was the secret ingredient for the shoot. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
Academy Award-winning actor Halle Berry stops by the offices to chat with Kiana Murden, Vogue Shopping Beauty Editor, and Margaux Anbouba, Senior Beauty and Wellness Editor, about her new film . Out in theaters on February 13th, the film is a new crime thriller set in Los Angeles on the 101 freeway. She stars as Sharon Colvin, an insurance broker involved in a high-stakes heist, alongside co-stars Chris Hemsworth and Mark Ruffalo. Berry said that working on was “one of the best experiences, I think, of my 30 years.” Berry also shares the stories behind some of her most iconic red carpet looks, and what she’s excited to wear for upcoming red carpet appearances. Berry also talks about how a misdiagnosis led to her women’s health activism and healthcare startup Respin. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
Fresh off the world premiere of her new film , Margot Robbie joins Chloe and ’s Film and Culture Editor Radhika Seth to discuss the spectacular press-tour looks she conceived alongside her stylist, Andrew Mukamel. “Andrew—he’s a history major, so he really does his research,” Margot explains, referencing the Taj Mahal diamond necklace she wore, once owned by Elizabeth Taylor—a fitting nod to the film’s romantic and gothic themes. Robbie, who plays Cathy Earnshaw, is not only starring in the highly anticipated romantic drama opposite Jacob Elordi—out Valentine’s Day weekend (February 13)—but also serves as a producer, marking her third collaboration with Emerald Fennell. Reflecting on the film’s ambitious scope, Margot praised Fennell’s ingenuity: “What she did with the budget she had—the producer in me couldn’t help but be in awe. I kept thinking, this is impossible that she’s pulled off all of this with what we had.” She pointed to the visually stunning set design by Suzie Davies and the riveting score by pop icon Charli xcx as standout examples of the all-star team Fennell assembled. In the latter half of the episode, iconic costume designer Jacqueline Durran hops on the call to reveal how she created more than 50 looks for Cathy Earnshaw, and why she and Margot ultimately decided not to take a single piece from the set. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
It’s mailbag time on ! Chloe Malle and Chioma Nnadi are back once again to answer your delightful questions. But first, Chioma reports back from a whirlwind couture trip to Paris, where Jonathan Anderson staged an upside-down garden fantasy and Chanel delivered an Alice in Wonderland-inspired set complete with giant mushrooms. They discuss standout front-row moments (Rihanna! Jennifer Lawrence!), the new lightness in couture, and why some details only make sense IRL. Back in New York, Chloe debriefs a major snowstorm, snow-boot styling, and awards-season buzz—from Grammys predictions to the BAFTAs. Plus, the Vogue Book Club reckons with the very un-romantic reality of . In the mailbag: Is fur back? Do Vogue editors get clothing allowances? Biggest fashion splurges? How to make a simple outfit feel stylish and hot? The hosts also share career advice for breaking into fashion, and tell us which designer bags are currently in heavy rotation. Couture, culture, and closet confessions—consider this your chicest group chat. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
Last week, the fashion world lost a giant. Valentino Garavani, the Roman couturier who launched his label in 1960, died at 93. Alessandro Michele, the Creative Director of the maison, RECALLED https://vogue.ph/fashion/runway/alessandro-michele-remembers-valentino/ Valentino as “almost a mythical figure.” Michele joined Nicole Phelps last year on for a formidable conversation about his new life chez Valentino, just ahead of his Haute Couture debut. Michele previously spent 21 years at Gucci, the last eight as creative director, where his maximalist, egalitarian vision of beauty was CULTURE-SHIFTING https://www.vogue.com/article/gucci-announces-alessandro-michele-exit. He talks about his approach to creativity, why he styles his own collections, how he seeks and keeps joy in the world, and why he thinks “fashion can build a better, dreamy place.” Plus, Paris Couture Week is in full swing! Nicole and Senior Beauty Editor (and regular) Margaux Anbouba share on-the-ground dispatches. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
From sculptural updos, LIKE THOSE WORN AT THE GOLDEN GLOBES BY SINGER EJAE https://www.vogue.com/slideshow/2026-golden-globes-updos, to the JOYFUL, BRIGHT EYE LOOKS MUSICIAN ZARA LARSSON HAS BEEN EMBRACING https://www.voguescandinavia.com/articles/zara-larsson-midnight-sun-tour-makeup, exciting beauty trends are already emerging in 2026. With awards season just ramping up, beauty editors Margaux Anbouba and Arden Fanning Andrews joined Chioma on this week to share what they anticipate seeing on red carpets in the months ahead. When it comes to predictions, Arden is leaning into what she calls “romantic beauty”— soft makeup and windswept hair — inspired by the return of period dramas this year, including https://www.vogue.com/article/emerald-fennell-wuthering-heights-adaptation (don’t forget to join the BOOK CLUB https://www.vogue.com/article/announcing-the-vogue-book-club!), , SET FOR RELEASE IN SEPTEMBER https://www.vogue.com/article/everything-we-know-so-far-daisy-edgar-jones-sense-and-sensibility, and NETFLIX’S FORTHCOMING SERIES https://www.vogue.com/article/everything-we-know-so-far-netflix-pride-and-prejudice. Margaux thinks we will be opting for “imperfect beauty,” meaning leaning into messier aesthetics online as a pushback against the rise of AI. Both editors (who happen to sport bobs themselves) once again said bobs are a trend to stay, even though they both plan to grow out their hair this year. Earlier in the episode, U.S. editor Maddie Schulz breaks down what’s really going on behind the SAKS FIFTH AVENUE BANKRUPTCY https://www.vogue.com/article/saks-filed-for-bankruptcy-now-what and WHAT FASHION’S “RESET” MAY ACTUALLY LOOK LIKE https://www.vogue.com/article/fashions-real-reset-starts-now. Plus, Chloe and Chioma share their takes on the menswear shows so far and reflect on THE PASSING OF THE LEGENDARY VALENTINO GARAVANI https://www.vogue.com/article/a-life-beautifully-lived-hamish-bowles-remembers-valentino. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
We’re right in the middle of the Fall/Winter 2026 Menswear shows in Milan and Paris, so it’s only right that GQ’s Global Fashion Correspondent Samuel Hine joins us on The Run-Through! Sam is a fixture on the menswear scene and writes the popular GQ newsletter Show Notes.. He shared all the trends, red carpet looks and shows he’s most excited about just before heading to Milan. Other highlights on the Milan schedule include PRADA https://www.vogue.com/fashion-shows/fall-2026-menswear/prada#review, ZEGNA https://www.vogue.com/fashion-shows/fall-2026-menswear/ermenegildo-zegna and ARMANI https://www.vogue.com/fashion-shows/fall-2026-menswear/giorgio-armani. Plus, 2025 LVMH Prize Winner SOSHI OTSUKI https://www.vogue.com/fashion-shows/fall-2026-menswear/soshiotsuki and designer Shinya Kozuka, who showed at Pitti Uomo in Florence. The Menswear shows coincide with several major awards shows, and there have already been lots of looks that went FROM THE RUNWAY TO THE RED CARPET https://www.vogue.com/article/see-the-looks-that-went-from-the-runway-to-red-carpet-at-the-2026-golden-globes this year. With the Oscars and Grammys coming up, we’re sure to see more runway looks on our favorite celebs. In Paris, all eyes are once again on Jonathan Anderson’s Dior. Hine told Phelps he expects to see a continued exploration of the “preppy classicism" we saw in Anderson’s Dior Men’s debut in June. Another milestone of the Fall Menswear shows will be Véronique Nichanian’s final show for Hermès after 37 years as artistic director. Hine said he is keeping a close eye on which shows the guys end up attending – HUDSON WILLIAMS OPENING DSQUARED2 https://www.vogue.com/article/zero-pucks-given-hudson-williams-on-his-runway-debut-at-dsquared2 was major! He also shared a bit about what’s coming next for GQ now that Will Welch, Global Editorial Director at GQ, announced he’s leaving the magazine on February 15th, and hinted at what to expect from this year’s GQ Bowl. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
Fresh off a flight from LA, VOGUE’S COVER STAR, AMANDA SEYFRIED https://www.vogue.com/article/amanda-seyfried-digital-cover-january-2026-interview is back in New York and on The Run Through to talk about award season! “I will say my favorite part … was being at the A24 party at the Chateau,” says Seyfried reflecting on the Golden Globes that happened Sunday evening. “I was just on the couch with a bunch of people that I like and don't ever see except at award shows.” Seyfried says she was surprised when a conversation in the Golden Globes ballroom with Jennifer Lawrence was picked up by cameras. “There are still moments when I forget that people are watching it,” says Seyfried. “It was a little bit unnerving when I saw that because I just believed, I guess, stupidly that it was a private conversation.” Seyfried was a two-time nominee at the ceremony for her roles in the Testament on Ann Lee and the television series Long Bright River. With award season in full swing, she’s been working closely with her stylist Elizabeth Stewart to make sure she is red carpet ready. “We've been wearing a lot of Prada and we decided to wear a VERSACE [TO THE GOLDEN GLOBES] https://www.vogue.com/article/amanda-seyfried-final-fitting, which is always trusted and beautiful and classic as well. Away from Hollywood, Seyfried’s wardrobe is much more casual as she cares for 52 animals on her farm upstate. “I'll wear the big tall muck boots,” says Seyfried. “The ones you can't drive a car in 'cause your foot can't reach the pedal.” Her animals include peacocks, chickens, goats, horses, donkeys and a new rescue rabbit named Bugsy that is a bit stand-offish. “He could be 37 years-old.” says Seyfried. “ I have absolutely no idea. He's got a droopy wet eye. But he's very nice it seems.” In THE TESTAMENT OF ANN LEE https://www.vogue.com/article/the-testament-of-ann-lee-amanda-seyfried-review-venice directed by Mona Fastvold, Seyfried plays the titular character who is credited with creating the Shaker religious community in the mid-18th century. “The Shakers worshiped through song and dance,” says Seyfried on the challenge of undertaking the role as their leader. “The singing had to be second nature.” says Seyfried on her performance. “But with singing, I've always been judging myself as I've been doing it. Even in Les Mis, I wasn't present the way I was. So I had to let go of that very early on. And the key to that was she's human and I need to feel it. It's not about how it sounds. It's about how it feels. And I need the audience to become a Shaker for two and a half hours.” While promoting the film, Seyfried’s 8 year-old daughter Nina was introduced to one of her mother’s earlier roles in the cult classic Mean Girls. “She said that she didn't think it was that funny,” recalls Seyfried. “but she really loved my role. That was Nina's critique of Mean Girls at age eight.” The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
The time has come for annual Golden Globes recap—and let’s just say, this one delivered. Not only did friend of the podcast Nikki Glaser return to the stage as the hostess with the mostest (with jokes Vogue deputy editor Taylor Antrim couldn’t get enough of), but we were also treated to a truly cheeky look from Teyana Taylor (Vogue predicts: the Year of the Buttcrack is officially here) and a standout awards-season red carpet debut from two of the most talked-about boys of the moment, Hudson Williams and Connor Storrie of . Reporting early to share highlights from the night, Chloe, Chioma, deputy editor Taylor Antrim, and senior fashion and style writer Christian Allaire broke down the looks that won the evening. Bright colors emerged as a surprising trend, with Wunmi Mosaku’s bold yellow look—paired with a pregnancy reveal—standing out as a major highlight. Other memorable moments included Odessa A’zion in self-styled archival Dolce & Gabbana, Tessa Thompson in Balenciaga (serving real mermaid vibes, according to Chloe), and Colman Domingo in Valentino, complete with an abundance of brooches. The group wrapped up by sharing their favorite wins of the night, with unanimous agreement that is likely to be a frontrunner heading into the Oscars—and that Timothée Chalamet is a shoe-in for Best Actor. Plus, Chloe makes the case for why deserved a little more love. Listen to our full recap below. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
For someone who’s done a lot of horror movies, Rebecca Hall admits she’s a bit squeamish. That, however, didn’t stop her from taking on a role in the newest body horror series, https://www.fxnetworks.com/shows/the-beauty, which is set to premiere January 21st on FX. Rebecca first learned of the series when she grabbed breakfast at Buvette in the West Village with Ryan Murphy (who created the show Matthew Hodgson) who enticed her with three things: a fun premise (an STD that makes you so hot that you explode, sign Rebecca up!), great clothes (The Row to be specific, and who could say no to that?) plus a list of fabulous filming locations: Rome, Paris, and Venice all making the list. “He [Ryan] was very open to me. One of the joys for me of this job was that not many people asked me to just be myself for a character.” Rebecca told Senior Features Editor Marley Marius and Fashion Writer Hannah Jackson on Wednesday afternoon. This openness and collaborative spirit Ryan gives to his actors is what enticed Rebecca about working with him again on his series Monster, where she will play Lizzie Borden in which she called “entering her villain era” which was a lot of fun for her. When Rebecca is not on the job, she finds great joy in painting (many of her works have been either sold or exhibited), watching The Real Housewives of Salt Lake City (for which her husband is getting around to understanding), and dressing up in “crazy outfits” in her day-to-day quiet upstate life. Earlier in the episode, Chioma fills Chloe in about the behind-the-scenes of the new fabulous BRITISH VOGUE COVER WITH JESSIE BUCKLEY https://www.vogue.co.uk/article/jessie-buckley-british-vogue-interview. They also chat what they are looking forward to about awards season and give a farewell to Will Welch who ANNOUNCED HE IS DEPARTING FROM GQ EARLIER THIS WEEK https://www.nytimes.com/2026/01/06/business/media/will-welch-gq-editor-departure.html. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
HBO’s Industry is back this week and we couldn’t be more excited! Myha’la Herrold joins senior editor Marley Marius and fashion writer Hannah Jackson on Vogue’s podcast to bring us up to speed on what her character Harper Stern is in for in season four. “The end of season three is very much her being like, “I'm gonna be my own boss.” This is the time when she truly breaks away,” says Myha’la. Each season of the show, Myha’la works with the showrunners Konrad Kay and Mickey Down to use Harper’s hair to tell a story of where the character is at in her life and this season is no different. “She's at the top of her game and she's going harder than she's ever gone before. And I was like, well obviously it's gotta be the micro braids with the human hair,” says Myhala on her season four look. "It's gotta be the most expensive, probably the most high maintenance, the most difficult thing and the most elevated version of Harper.” Great care went into creating Harper’s wardrobe this season as Costume Designer Laura K. Smith created a power suit to set the tone for the character. “We always trade boards like I was sending her pictures of Celine and YSL," reflects Myha’la. “That first shot that we see Harper is in a gray three-piece suit. It is a custom designed and custom made suit by Laura for Harper,” says Myha’la. “[Laura] was like, I want this to be like the hero piece for her closet and for her to be able to mix and match.” Myha’la takes a trip down memory lane and talks about fronting a Christian rock-band in high school and talks about her love of musicals and her dream role of playing Elle Woods in Legally Blonde on Broadway. “I'm manifesting.” says Myha’la. “I sing everything but my favorite genre is definitely musical theater. If anyone is looking for a five foot one, available, black baddie who lives in New York, cast me!” Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
Millie Bobby Brown is in a moment of transition. After nearly a decade of playing Eleven on Netflix’s hit series , that chapter of her life is coming to a close. Now, she’s turning her focus to simpler joys: caring for the twenty-five farm animals on her Georgia property and settling into motherhood with her baby girl, whom she recently adopted with her husband, Jake Bongiovi. “I will never live in L.A. It just isn’t for me,” Brown told Chioma a few weeks ahead of the finale, premiering December 31 and set to screen in select theaters. “If I can do anything for my daughter, it will be to give her a home base.” It’s a sense of stability the actress says she lacked growing up, having moved frequently as a child before eventually relocating to Atlanta to film the series. Beyond reflecting on family life, Brown also opens up about the friendship she’s been building with singer Raye, who also appeared on the cover of in 2025 and performed at her wedding. She also discusses navigating criticism, her evolving relationship with her hair, and the emotional moment when her co-star Noah Schnapp met her baby for the first time. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
Zoe Saldaña first stepped into the role of Avatar’s Neytiri when she was 24 years-old. Now, the 47 year-old is back for the third film of the James Cameron franchise Avatar: Fire and Ash. "This installment of Avatar [is about] how a family can be resilient and learn to smile and love again after experiencing great loss," Saldaña told Vogue’s Deputy Editor Taylor Antrim and Global Director of Social Sam Sussman ahead of the film's release in US theatres on December 19. "I get really lost into the world of Pandora," says Saldaña about reprising her role. “I really care for the characters that I play. I create a solid backstory for them, so I live more in that reality.” It’s been a big year for Saldaña. On top of Avatar, she is currently Vogue Mexico’s December cover star, she won an Oscar for her role in Emilia Pérez, is currently in production for season 3 of Lioness and also met Pope Leo while in Italy with her three sons. "They were so hyper," reflects Saldaña. "They're like typical 10 and eight year olds and can't focus... And the moment comes and we're right in front of him – you can see that picture, they're gleaming." Zoe Saldaña has the distinction for being the first actor to star in four films that grossed over $2 billion at the box office. She’s taken part in some of the largest franchises such as the Avengers, Avatar, Star Trek and the Pirates of the Caribbean. But now more than ever, Saldaña told Vogue that immersing herself in her personal life is the biggest priority. "For a long time, I was afraid to stop," she confessed to Ramón Barreto in her cover story . "I feared that if I did, something wouldn't be right. But now, I understand that pausing is also part of the movement." Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
On Monday afternoon, Hugh Jackman and Kate Hudson stopped by the offices for a live conversation about their new film, which comes out Christmas Day. The project, inspired by the real-life story of Mike and Claire Sardinia—a Wisconsin couple who form a Neil Diamond tribute band is based on the documentary of the same name, which director Craig Brewer first encountered at a festival and later adapted for the screen. “I realized that everyone is living an extraordinary life,” Jackman shared to Chloe and Vogue’s Deputy editory Taylor when reflecting on why he chose to take the role of Mike. After earning a Golden Globe nomination for her role as Claire, Kate speaks candidly about rediscovering her voice, crediting Sia (who she worked with on the film Music) with inspiring her to sing more freely. She recalls being pushed onto the microphone at her 16th birthday by her mother, Goldie Hawn, to perform “That’s What Friends Are For,” with Quincy Jones in attendance. “He told me to get into the studio,” Hudson remembers. Plus, Hugh and Kate discuss what it’s been like singing at bars across the world, what their tribute band would be (hint: Fleetwood Mac mentioned!), and answer a fun question from none other than Anna Wintour about whether or not they should adapt this film as a theater production. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
A day after her first solo Vogue cover shoot for the Inaugural Best Dressed Issue, Alex Consani stopped by the podcast studio to chat with Chloe and Hannah about working with her frequent collaborator, photographer Ethan James Green and stylist Malina Joseph Gilchrist on the shoot in a quaint brownstone in Brooklyn. Along with being Vogue’s cover star and the model of the moment, Alex is in the middle of her first “adult” move to a brownstone in Fort Greene with help from her friend Paloma Elsesser. In her own words, her years of saving and living frugally in New York, asking her friends for their leftovers and her lucky crystals that she carries in her Birkin mini helped her manifest this moment. Alex also dives into what it was like styling her parents for Vogue World, why she sometimes doesn’t use a stylist, and her advice for getting used to wearing heels. Plus, Chloe and Chioma dive into the best dressed lists (from Bad Bunny to Adwoa Aboah) and the big Met Co-chair announcement that dropped yesterday with Beyoncé returning to the ball after nearly 10 years, joined by Nicole Kidman and Venus Williams. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
It’s been an unprecedented year in fashion. 16 designers REBOOTED https://www.voguescandinavia.com/articles/new-creative-directors-ss26 15 labels in September causing one of the biggest shakeups in fashion history, Labubus took over the world, and Kendrick Lamar’s Celine flared jeans stirred up the discourse. Today on the show, we invited Virginia Smith, Vogue’s Global Head of Fashion Network, and Laia Garcia-Furtado, Senior Fashion News Editor at Vogue Runway, to break down all the biggest moments from a massive year in fashion. “Awar closing the Chanel show was my fashion moment of the year because it encapsulated so many great things,” Smith said. “It was really something I have not witnessed very many times in my very long career of attending shows.” Another major collection was Dario Vitale’s debut at Versace. Vitale was our reader’s 3RD FAVORITE DESIGNER https://www.vogue.com/article/the-peoples-vote-our-third-annual-year-in-fashion-poll-is-here of the year, after Blazy at Chanel and Jonathan Anderson at Dior. “Immediately I saw the show and thought, “this is how I want to dress.” said Garcia-Furtado. “As soon as the show ended, I went on The RealReal and bought a pair of Versus jeans within minutes.” Plus, tune in to hear what our editors are looking forward to in 2026. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
As 2025 comes to a close, our editors had the difficult task of selecting their picks for the best moments of the year in culture. We invited Taylor Antrim, Deputy Editor at , and Marley Marius, Features Editor at , to run through the year’s best film, television, music, theater, books and plenty of miscellaneous pop culture gems. We also tapped the rest of our Vogue editorial team to share their top culture moments of the year. Big favorites include (starring The Run-Through alum Renata Reinsve), , , Rosalia’s new album , and so much more! Plus, we get into all the news of the week, including Dario Vitale’s EXIT https://www.vogue.com/article/dario-vitale-to-exit-versace?utm_source=newsletter&utm_brand=vogue&utm_mailing=VB_NEWS_BREAKING_DARIO_051225&utm_campaign=aud-dev&utm_medium=email&bxid=66e1c764e625860a7d044cd5&cndid=84152706&hasha=8f063a679710c81d81a0c2e9d1132366&hashc=abb0c64ce615bf1f419fe2cf59be05269811e8e5195259a8a6bfffebeec154c7&utm_term=VB_VogueBusiness_ACTIVE from Versace less than a year after he was hired in March 2025, and just two days after Prada Group’s ACQUISITION https://www.vogue.com/article/the-prada-versace-deal-is-done-what-now of the brand for $1.25 billion. Also top of mind are Matthieu Blazy’s CHANEL METIERS D’ART SHOW https://www.vogue.com/fashion-shows/pre-fall-2026/chanel right here in New York City, the Gotham Awards, and the British Fashion Awards. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
This Tuesday on , Chioma Nnadi sits down with British ’s NOVEMBER 2025 COVER STAR, GWYNETH PALTROW https://www.vogue.co.uk/article/gwyneth-paltrow-british-vogue-interview, to talk Josh Safdie’s —undoubtedly one of the most anticipated films of the year. The riveting drama, about an ambitious young table tennis player named Marty Mauser (TIMOTHÉE CHALAMET https://www.vogue.com/article/timothee-chalamet-december-cover-2025-interview)—and the ever-more-egregious risks he takes to prove his, well, supremacy—co-stars Paltrow as Kay Stone, the glamorous former movie star whom Mauser romances in London, then New York. (The cast also includes Kevin O’Leary, Odessa A’zion, Fran Drescher, Sandra Bernhard, and Tyler, the Creator.) In her conversation with Chioma, Gwyneth talks about being wowed by the script, co-written by Safdie and Ronald Bronstein; feeling nervous to be on a film set again; Miyako Bellizzi’s beautiful costumes; Chalamet’s beautiful skin; and the kind of role that she’d be intrigued to take on next. Plus, the two talk about more great fashion moments from Gwyneth’s filmography (the Calvin Klein in ! The Donna Karan in !); the wellness world’s recent obsession with protein and fiber; Gwyneth’s refreshing thoughts on aging (“I don’t want to try to look like I’m 28 years old”); and more. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
Last December, the Vogue Runway team created a list of the fashion moments that have defined the 21st-century so far. Now they are taking it a step farther and highlighting the most memorable shows of the past 25 years. Nicole invited Global Head of Fashion Network Virginia Smith, Senior Archive Editor Laird Borelli-Persson, and now- Vanity Fair Global Editorial Director Mark Guidicci to run through their top picks, and today we’re revisiting that episode ahead of the holiday. https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
Though Bill Nighy’s new podcast, ILL-ADVISED https://podcasts.apple.com/gb/podcast/ill-advised-by-bill-nighy/id1842190360, is all about dishing thoughtful advice on the turmoils of others, that doesn’t mean he wants to be mistaken for someone who has it all figured out. This is one of the first things he told Chioma after arriving at the London podcast studio in a suit, A SMEDLEY SWEATER HE DESIGNED HIMSELF https://www.vogue.com/article/bill-nighy-on-good-trousers-terrible-advice-and-his-love-of-knitwear, and Church’s loafers. In honor of his podcast and the skillful advice he gave on BRITISH VOGUE’S AGONY UNCLE VIDEO https://www.vogue.co.uk/video/watch/agony-uncle-bill-nighy, we asked Bill to answer listener questions and break down the secret behind his signature style, which led to the shocking revelation that he has never worn trainers in his life (well — except on one specific occasion). Despite insisting he’s no advice expert, Bill still offers charming, genuinely helpful tips: how to get along with your in-laws over the holidays, a sweet way to propose to your partner, and a recommendation for a family-friendly film that adults and kids will love (hint: he stars in it!). Earlier in the show, Chloe shares details about next year’s MET GALA SPRING 2026 EXHIBITION THEME TITLED “COSTUME ART” https://www.vogue.com/article/costume-art-is-the-first-exhibition-in-the-costume-institutes-new-permanent-galleries-at-the-met, which was just announced Monday morning. Chioma recaps the GQ LONDON MEN OF THE YEAR EVENT https://www.gq-magazine.co.uk/live/2025-men-of-the-year-live-red-carpet-photos, where she wore a chic brown Aaron Esh suit and had a fun text conversation with Cynthia Erivo about her excitement for WICKED: FOR GOOD https://www.vogue.com/slideshow/inside-the-wicked-for-good-premiere-new-york-city (which she plans to see this weekend!). Plus, a fun a recap of the 16 ARLINGTON SHOW https://www.vogue.com/article/16arlington-antony-price-collaboration-london-show from earlier this week where Lily Allen made her runway debut! https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
The fashion designer Bella Freud launched a little over a year ago with Rick Owens as her first guest. The show—available in both audio and video formats—immediately set itself apart from other fashion podcasts by the sense of intimacy Freud cultivated in unguarded conversations with her high-profile visitors, Cate Blanchett, David Cronenberg, and Rosalía, among them. She joins Nicole Phelps on this week’s episode of to discuss the origins of the show, including its now-iconic set-up. The designer, who yes, is the great-granddaughter of Sigmund Freud, and the daughter of the painter Lucian Freud, also discusses her first steps in fashion—liberated as a teenager by Vivienne Westwood’s clothes while she worked at the Seditionaries store, and later by Westwood herself as she worked alongside the legendary designer. https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
Today on the show, we’re joined by actor Meghann Fahy. We all know and love her from her role as Daphne in White Lotus Season 2, and she has a ton of new exciting projects in the works, including a new film with Josh O’Connor, out on November 14th. She chatted with Vogue editors Christian Allaire and Margaux Anbouba about acting in horror films, what she stole from the set of Sirens, and which pop girlies she’s loving right now. Also on the show, Chioma talks with writer Chanté Joseph about her wildly viral ARTICLE https://www.vogue.com/article/is-having-a-boyfriend-embarrassing-now “Is Having A Boyfriend Embarrassing Now?” Plus, we talk about Vogue World: Milan and Balmain’s new Creative Director Antonin Tron. https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
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It’s been a buzzy week at the offices. On Tuesday night, Zohran Mamdani made history as the first Muslim, the first person of South Asian descent, and the youngest in a century to hold the Mayoral position. ’s Fashion News Editor, José Criales-Unzueta, joins Chloe and Nicole to discuss the NEWLY ANNOUNCED MAYOR’S STYLE https://www.vogue.com/article/what-should-they-wear-newly-elected-new-york-city-mayor-zohran-mamdani-and-his-wife-rama-duwaji-enter-the-spotlight — along with that of his effortlessly chic Gen Z illustrator wife, Rama Duwaji, who stunned last night in a black lace Ulla Johnson skirt and Zeid Hijazi top. Together, they explore how fashion choices can reflect our beliefs, values, and sense of identity. Then, writer Mattie Kahn comes to the Vogue offices to talk to Chloe about Vogue’s December cover story that she wrote about Timothee Chalamet. She talks about the challenges of pinning down time to speak with the busy actor who was filming the newest Dune film in Budapest and also working on performance art promotional videos for his upcoming film, Marty Supreme, set to go to the big screen on Christmas Day.. Plus, Kim Kardashian gets candid with Chloe about taking on her first major acting role (apart from American Horror Story) as Allura Grant in the new Hulu series . The show features an ALL-STAR CAST OF WOMEN https://www.vogue.com/article/kim-kardashian-alls-fair-cast-premiere — including Naomi Watts, Teyana Taylor, Glenn Close, and Niecy Nash — the latter of whom Kim says mentored her in acting. Ryan Murphy, who created the series, said he was inspired by the line “Not only am I a lawyer in real life, I play one on TV,” which he felt perfectly suited Kim. He also drew inspiration from the well-known Hollywood lawyer Laura Wasser — whose father, notably, represented Kim’s parents during their separation decades before representing Kim in her own divorce. Kim also shares behind-the-scenes details of her fabulous on-screen wardrobe, from a 1992 Jean Paul Gaultier suit with a surprising back reveal to the iconic Donna Karan power suits she sourced with her stylist, Soki Mak, for the role. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
Twelve years after founding Fear of God, Jerry Lorenzo is no stranger to recognition and accolades. Last night, he added one more to the list: the 2025 CFDA INNOVATION AWARD https://cfda.com/news/jerry-lorenzo-of-fear-of-god-to-receive-innovation-award-at-the-2025-cfda-fashion-awards/. When Lorenzo started his Fear of God label, he sought to fill a void in luxury and streetwear by making something based on his unique perspective and experience. He eventually met with Virgil Abloh, who was just starting his own brand Pyrex Vision and who shared his vision. Over the course of his past nine collections, Lorenzo has continued to refine fabrics, materials and his creative process as a self-taught designer. All the while, the business has continued to GROW https://www.vogue.com/article/fear-of-god-could-grow-to-dollar1bn-for-jerry-lorenzo-thats-not-the-goal. Lorenzo also recently hired Bastien Daguzan, Jacquemus’s former CEO, expanded into womenswear, and next year will open Fear of God’s first-ever retail locations in New York and Los Angeles. But beyond these major milestones Lorenzo told Phelps that more than anything, he’s aiming for peace and longevity. “I just want the brand to be around 50 to a hundred years from now.” At this rate, it seems very possible. Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
Legendary former editor Candy Pratts Price once famously DECLARED https://www.instagram.com/p/DOYSYeNDYlt/?hl=en&img_index=1 “September is the January of fashion.” Candy joined Chloe Malle and Director of Global Fashion Network Virginia Smith on to share her thoughts on this past September, and tell us all the juicy stories from her many lives in the world of fashion. After graduating from F.I.T., Candy got her start working at French shoemaker Charles Jourdan’s boutique on 55th Street in Manhattan. This was the 1970s and employees at the boutique enjoyed free weekly hair appointments. “Very French grooming,” Candy said. Her customers were the chicest women in New York, including none other than Jackie Kennedy. What was she like? “Quiet, fabulous. Very narrow foot,” Candy recalled. While she was busy making a name for herself on the fashion scene, Candy also made frequent appearances at Studio 54, dressing in everything from mules, bandeau tops, riding pants, rhinestones, patent leather and lots of latex. Chloe and Virginia share lots of laughs reflecting on the early days of Vogue with Candy! Learn about your ad choices: dovetail.prx.org/ad-choices https://dovetail.prx.org/ad-choices
