The Wise Fool Art Podcast
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We discussed: editions, analog vs digital and much more Jo Bentdal https://jobentdal.com https://www.instagram.com/jobentdal/ Erle M. Kyllingmark http://www.erlekyllingmark.com https://www.instagram.com/erlekyllingmark/ Stig Marlon Weston http://www.weston.no https://www.instagram.com/stigmw Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
We discussed: editions, analog vs digital and much more Jo Bentdal https://jobentdal.com https://www.instagram.com/jobentdal/ Erle M. Kyllingmark http://www.erlekyllingmark.com https://www.instagram.com/erlekyllingmark/ Stig Marlon Weston http://www.weston.no https://www.instagram.com/stigmw Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
Contemporary artists have raised the question of what authorship means within the sector, as well as the methodologies used to empower artists. What steps need to be taken to support the transition from “toxic competition” to sustainable support systems within the arts? Sanna Hirvonen - https://sannajhirvonen.art Anastasia Matskevitch - https://theanamova.wordpress.com https://destructura.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
Contemporary artists have raised the question of what authorship means within the sector, as well as the methodologies used to empower artists. What steps need to be taken to support the transition from “toxic competition” to sustainable support systems within the arts? Sanna Hirvonen - https://sannajhirvonen.art Anastasia Matskevitch - https://theanamova.wordpress.com https://destructura.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
I had the pleasure of talking with Stina Högkvist, Director of Exhibitions and Collections + Yngvill Sjöösten, Head of Project Management about the design, construction, planning and maintenance of the new Oslo National Museum on June 14, 2022. https://www.nasjonalmuseet.no Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
I had the pleasure of talking with Stina Högkvist, Director of Exhibitions and Collections + Yngvill Sjöösten, Head of Project Management about the design, construction, planning and maintenance of the new Oslo National Museum on June 14, 2022. https://www.nasjonalmuseet.no Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
We discussed: what is wrong with the current academic model, why people teach, the responsibility of academia, emotional impact of an art career, arts funding Maria Makarova Frederik Klanberg https://destructura.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
We discussed: what is wrong with the current academic model, why people teach, the responsibility of academia, emotional impact of an art career, arts funding Maria Makarova Frederik Klanberg https://destructura.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
Museums, art centres, theatres and the like establish and guard the institutionalised idea of what art is. These institutions are frequently immersed in rigid, maladaptive frameworks of public bureaucracies, and have opaque hiring and artist selection practices. What adjustments in the functioning of major European cultural institutions are required to support transparency, equal opportunity and fair distribution of resources in the arts? Marta Marsicka - https://martamarsicka.com Onur Kaymak - https://www.instagram.com/onrkymk https://destructura.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
Museums, art centres, theatres and the like establish and guard the institutionalised idea of what art is. These institutions are frequently immersed in rigid, maladaptive frameworks of public bureaucracies, and have opaque hiring and artist selection practices. What adjustments in the functioning of major European cultural institutions are required to support transparency, equal opportunity and fair distribution of resources in the arts? Marta Marsicka - https://martamarsicka.com Onur Kaymak - https://www.instagram.com/onrkymk https://destructura.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
Increasing political, environmental and technological disruption requires a vision of the role creative professionals will play in building a positive future, in which art plays an integral role in social harmony. How can the potential of art to prevent disruptions of continent-wide magnitude be explored to the fullest in Europe? Eline Gaudé - https://elinegaude.tumblr.com Deborah Maggiolo - https://linktr.ee/deborahmaggiolo https://destructura.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
Increasing political, environmental and technological disruption requires a vision of the role creative professionals will play in building a positive future, in which art plays an integral role in social harmony. How can the potential of art to prevent disruptions of continent-wide magnitude be explored to the fullest in Europe? Eline Gaudé - https://elinegaude.tumblr.com Deborah Maggiolo - https://linktr.ee/deborahmaggiolo https://destructura.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
Public and private funding institutions address the gap between the needs of artistic production and the inability of contemporary market economies to sustain the art and culture field. Art professionals often lack the tools to navigate this system or to understand its governing interests and powers. What measures are required to increase transparency, efficiency and fair access to institutional funding in Europe? Madeleina Kay - https://www.madeleinakay.com Kristyna Ilek https://destructura.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
Public and private funding institutions address the gap between the needs of artistic production and the inability of contemporary market economies to sustain the art and culture field. Art professionals often lack the tools to navigate this system or to understand its governing interests and powers. What measures are required to increase transparency, efficiency and fair access to institutional funding in Europe? Madeleina Kay - https://www.madeleinakay.com Kristyna Ilek https://destructura.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
Artists can partner with scientists to promote environmental justice and each other’s work. Feminist performers can join forces with human rights advocates to protect female minorities. Applying artistic methodologies can also create healthier work environments in multinational corporations. How should Europe further facilitate cross-sector collaboration with the arts to create more positive contributions? Nur Horsanali - https://www.instagram.com/nurhorsanali Catherin Schöberl - https://www.catherin-schoeberl.de https://destructura.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
Artists can partner with scientists to promote environmental justice and each other’s work. Feminist performers can join forces with human rights advocates to protect female minorities. Applying artistic methodologies can also create healthier work environments in multinational corporations. How should Europe further facilitate cross-sector collaboration with the arts to create more positive contributions? Nur Horsanali - https://www.instagram.com/nurhorsanali Catherin Schöberl - https://www.catherin-schoeberl.de https://destructura.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
With Special guest co-host Dr. Amanda Maples, we discussed: career aspirations, ambition, propaganda, cultural perspectives, marketing as an artist, personal fitness, being an art professor, mortality, asking the right questions, sexuality, toxic masculinity, giving back His Monograph - https://www.skira.net/en/books/thameur-mejri/ https://www.montaguecontemporary.com/artists/32-thameur-mejri/overview/ https://www.selmaferiani.com/artists/71-thameur-mejri/biography/ People + Places mentioned: Interpol - https://www.interpolnyc.com Michel Foucault - https://en.wikipedia.org/wiki/Michel_Foucault Matthew Barney - http://matthewbarney.net Adel Abdessemed - https://www.adelabdessemed.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
With Special guest co-host Dr. Amanda Maples, we discussed: career aspirations, ambition, propaganda, cultural perspectives, marketing as an artist, personal fitness, being an art professor, mortality, asking the right questions, sexuality, toxic masculinity, giving back His Monograph - https://www.skira.net/en/books/thameur-mejri/ https://www.montaguecontemporary.com/artists/32-thameur-mejri/overview/ https://www.selmaferiani.com/artists/71-thameur-mejri/biography/ People + Places mentioned: Interpol - https://www.interpolnyc.com Michel Foucault - https://en.wikipedia.org/wiki/Michel_Foucault Matthew Barney - http://matthewbarney.net Adel Abdessemed - https://www.adelabdessemed.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
What are the effects of crisis on artists? Are they in some ways different to the effects on normal working class people. Are there opportunities for artists during a time of crisis? Panelsits: Madeleina Kay - https://www.madeleinakay.com Frederik Klanberg - http://www.frederikklanberg.com Anastasia Lemberg-Lvova - https://lemberglvova.com https://destructura.com People + Places mentioned: European Youth Parliament - https://eyp.org Young European of the Year - https://schwarzkopf-stiftung.de/en/awards/young-european-of-the-year/ Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
What are the effects of crisis on artists? Are they in some ways different to the effects on normal working class people. Are there opportunities for artists during a time of crisis? Panelsits: Madeleina Kay - https://www.madeleinakay.com Frederik Klanberg - http://www.frederikklanberg.com Anastasia Lemberg-Lvova - https://lemberglvova.com https://destructura.com People + Places mentioned: European Youth Parliament - https://eyp.org Young European of the Year - https://schwarzkopf-stiftung.de/en/awards/young-european-of-the-year/ Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
What is the role of art during times of crisis? Crisis is encompassing all different kinds of crisis, from politics and war to the environment and technology. Panelist are: Anastasia Matskevitch - https://www.instagram.com/anastasiamatskevitchsinger Eva Lennuk - https://www.sorainen.com/people/eva-lennuk/ Sanna Hirvonen - https://sannajhirvonen.art https://destructura.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
What is the role of art during times of crisis? Crisis is encompassing all different kinds of crisis, from politics and war to the environment and technology. Panelist are: Anastasia Matskevitch - https://www.instagram.com/anastasiamatskevitchsinger Eva Lennuk - https://www.sorainen.com/people/eva-lennuk/ Sanna Hirvonen - https://sannajhirvonen.art https://destructura.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
We discussed: Curating a bienniale art festival, government funded arts, how they select artists, how they chose the venues, ecological concerns of Art events, installing Art in a prison https://www.ffur.eu Lofoten International Art festival - https://info.liaf.no People + Places mentioned: Alighiero Boetti - https://gagosian.com/artists/alighiero-e-boetti/ Chiara Fumai - https://www.chiarafumai.com Skam - https://www.imdb.com/title/tt5288312/ Kenneth Goldsmith - https://ubu.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
We discussed: Curating a bienniale art festival, government funded arts, how they select artists, how they chose the venues, ecological concerns of Art events, installing Art in a prison https://www.ffur.eu Lofoten International Art festival - https://info.liaf.no People + Places mentioned: Alighiero Boetti - https://gagosian.com/artists/alighiero-e-boetti/ Chiara Fumai - https://www.chiarafumai.com Skam - https://www.imdb.com/title/tt5288312/ Kenneth Goldsmith - https://ubu.com Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
We discussed: Artist Visas, arts education, politics in art, criticism, critical feedback, gentrification, traps https://tomasodeluca.com Lofoten International Art Festival – (LIAF) – https://info.liaf.no People + Places mentioned: Monitor - https://www.monitoronline.org Maxxi Bvlgari Prize - https://www.maxxi.art/en/events/maxxi-bulgari-prize-2020 Dan Graham - https://www.visitnorway.com/listings/artscape-nordland-v%C3%A5gan/130523/ Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
We discussed: Artist Visas, arts education, politics in art, criticism, critical feedback, gentrification, traps https://tomasodeluca.com Lofoten International Art Festival – (LIAF) – https://info.liaf.no People + Places mentioned: Monitor - https://www.monitoronline.org Maxxi Bvlgari Prize - https://www.maxxi.art/en/events/maxxi-bulgari-prize-2020 Dan Graham - https://www.visitnorway.com/listings/artscape-nordland-v%C3%A5gan/130523/ Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
We discussed: nepotism, the economic utility of Art, democracy, competition in the Arts, resonant frequency, hemispheric lateralization, budgets, running a studio https://www.lissongallery.com/artists/haroon-mirza http://www.clickfolio.com/haroon/ People + Places Mentioned: Gaia Fugazza - http://gaiafugazza.com Artist residency at CERN - https://arts.cern Lisson Gallery - https://www.lissongallery.com Maria Stone Circle - https://www.ballroommarfa.org/stone-circle Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
We discussed: nepotism, the economic utility of Art, democracy, competition in the Arts, resonant frequency, hemispheric lateralization, budgets, running a studio https://www.lissongallery.com/artists/haroon-mirza http://www.clickfolio.com/haroon/ Lofoten International Art Festival – (LIAF) – https://info.liaf.no People + Places Mentioned: Gaia Fugazza - http://gaiafugazza.com Artist residency at CERN - https://arts.cern Lisson Gallery - https://www.lissongallery.com Maria Stone Circle - https://www.ballroommarfa.org/stone-circle Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
We discussed: running an Art Centre, cultural politics, artist residencies, contemporary art, coordinating an Art Festival, site specific art work, teleportation, tourism Lofoten International Art Festival – (LIAF) - https://info.liaf.no North Norwegian Art Centre (NNKS) - https://nnks.no Kunstnerhuset - the Artist House - https://nnks.no/en/l%C3%A6ring-2 People + Places mentioned: Artemisia Gentileschi - https://www.newyorker.com/magazine/2020/10/05/a-fuller-picture-of-artemisia-gentileschi Robert Rauschenberg mud muse - https://www.rauschenbergfoundation.org/art/artwork/mud-muse Moderna Museet - https://www.modernamuseet.se Billy Klüver - https://www.zakros.com/kluver/artengineer.html Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
We discussed: running an Art Centre, cultural politics, artist residencies, contemporary art, coordinating an Art Festival, site specific art work, teleportation, tourism Lofoten International Art Festival – (LIAF) - https://info.liaf.no North Norwegian Art Centre (NNKS) - https://nnks.no Kunstnerhuset - the Artist House - https://nnks.no/en/l%C3%A6ring-2 People + Places mentioned: Artemisia Gentileschi - https://www.newyorker.com/magazine/2020/10/05/a-fuller-picture-of-artemisia-gentileschi Robert Rauschenberg mud muse - https://www.rauschenbergfoundation.org/art/artwork/mud-muse Moderna Museet - https://www.modernamuseet.se Billy Klüver - https://www.zakros.com/kluver/artengineer.html Music by Peat Biby Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no
