In 1989 Wes Craven attempted to create a new horror franchise with a Freddy Krueger-type killer named Horace Pinker. Despite a unique marketing campaign, the series failed at launch. Over thirty years later the film has been re-evaluated and gained a loyal following. Mike and Deke take a deep dive to discuss if Pinker stands on his own or buckles under the shadow of his bigger, stripe-sweatered brother. And what hidden meaning could Shocker be an allegory for? Find out here on The Good, The Bad, and the Ugly.