This month’s picks present two, uh, dissimilar responses to evil in the world. In the first, Carol Reed’s classic postwar noir The Third Man, Joseph Cotten and Orson Welles reunite a decade after Citizen Kane to wade into a morass of moral ambiguity from which no one emerges clean. In Sylvester Stallone’s Cannon Films copaganda … Continue reading #53: The Third Man/Cobra →