Is there more to gimmicks and satire than just blatant knee-slappers and cheap audience-pleasing? Does humour free oneself from too many expectations and limitations? Or is it limiting in its own ways?
With the topic so close to his own heart, okkie chats with jco, who has been leaving audiences somewhere between laughing and confused about story-driven productions with characters such as Kevin and Evilbot, all while also developing impressive tool chains and technologically apt productions that don't have to hide behind the absurdity... or do they?