MINDCAST by Mindshake Records
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One of the people who regularly supports WeMart is Paco Osuna and all three of the tracks on this EP have been extensively road-tested in Paco's club sets and festival shows. Première : " My Way " Lets the percussion take centre stage with heavy snare hits and congas providing a framework for soulful vocals. ___ release date : 05/04/2024 follow: @wemart | @mindshakerecords
“Pompy” opens the release with heavy breakbeat percussion and retro hip hop vocals underpinned by the raw funk of the bassline.
Representz has jazzy undertones with tinkling piano chords and jackin’ vocals that add uplifting energy to the track’s feel-good vibe.
Trademark shuffling percussion alongside a rolling bassline, Crewcutz Remix
Reelow’s remix of “Pompy” switches to a 4/4 groove and works in a new bassline that lifts the intensity.
First up is the EP's title track and "The Energy" has a rolling groove with an acid bassline and fast-paced percussion, plus some captivating vocals that fill the track with hands in the air energy.
"The Heat" has the modulating tones of a rubbery bassline, which is layered underneath shuffling hi-hats and infectious vocals about disco in San Francisco. more about : @themelanieribbe - @riazdhanani
The EP's title track "Legend" opens the release with tribal percussion and hip hop style vocals
"Washy" is built around a funky bassline and sensual vocal phrases
"Ketchup" closes out the release with its rubbery bassline and dramatic vocal phrases
Première : Agus O - Cookie (Legend EP) - "Percussive track with sexual vocals"
Lets Kick It by Paco Osuna and Manu Gonzalez utilises a bass sample from a well-known hip hop track, which is layered with this track's namesake vocal, and jackin' house music percussion.
Paco Osuna and Iglesias close the release with the rolling bassline, fast-paced percussion and trippy acid synths of their track Playing With Foc...
So Tasty by Paco Osuna and Fer BR opens the release with an upbeat groove consisting of a funky bassline, live percussion loop and sensual vocals.
"The Beat Wins" closes out the EP with its compelling vocals that add to the track's peak time energy.
"Come Baby Come" is up next with its hip hop style vocals and tribal percussion.
"So Much" opens the release with its flowing rhythms and feel-good vocals.
Big Booty opens the release with a fat bassline that's worthy of the tracks title, and hip hop-inspired vocals that add to the track's hands in the air vibe.
High Hats, Bass & Tweeters is the EP's title track and it's got a hypnotic groove as a foundation for its jackin' vocals.
Funk in C Minor closes out the release with its stripped back groove and soulful tones.
Blackchild (ITA)'s version layers snippets of the original's vocals and melody over a new backing track with a raised tempo, flowing percussion, and a rubbery bassline that's infused with funk.
Paco Osuna and Fer BR's remix focuses on the upbeat energy of chunky percussion that's sequenced into fast-paced rhythms and layered with a rolling bassline, creating a new tech house backing track for the original's vocals and melody.
Let Me Know has upbeat percussion and a deep bassline layered with jackin’ vocal phrases that combine to create a vigorous groove.
Left To Right has an acid bassline layered with hip hop inspired vocals and trippy atmospherics.
Salty is a spacey track with a rubbery bassline and rhythmic vocals
The original mix of “Milkshake” opens the release with a vocal sample taken from a well-known R&B track and it's been layered with tech house percussion to create a modern classic.
“They Call Me” closes out the release with its bumping groove and hip hop-inspired vocals.
“One Two Step” has a thickset bassline layered with feel-good vocals
Paco Osuna's remix of “Milkshake” is a tribal version that works in additional drums with shuffling rhythms.
"Love To Me" closes out the release with soulful vocal phrases and techy synths layered with dramatic piano chords and tense strings.
